These duos are arranged in pairs, like Scarlatti's sonatas. Sometimes the connection is clear through the used writing style or theme, sometimes it is based on contrast.
\nBut other combinations of the duos are also possible, at the player's choice.<\/p>\n
All duos fit on a keyboard from C to c\u201d.
\nThey can also be played on other keyboard instruments.
\nSometimes two keyboards are needed, some registrations are indicated.<\/p>\n
The music is available at https:\/\/www.boeijengamusic.com\/product\/ten-duos.<\/p>\n
Errata<\/span>, a few errors have to correct in this edition: Deze duo’s zijn gerangschikt per twee, als de sonates van Scarlatti. Soms is het verband duidelijk door de gebruikte schrijfwijze of thematiek, soms is het gebaseerd op contrast. Maar er zijn ook andere combinaties van de duo’s mogelijk, naar keuze van de speler. Alle duo’s passen op een klavier van C-c”’. Ze kunnen ook op […]<\/p>\n","protected":false},"author":2,"featured_media":1120,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-1142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-composities"],"_links":{"self":[{"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/posts\/1142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/comments?post=1142"}],"version-history":[{"count":4,"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/posts\/1142\/revisions"}],"predecessor-version":[{"id":1384,"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/posts\/1142\/revisions\/1384"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/media\/1120"}],"wp:attachment":[{"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/media?parent=1142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/categories?post=1142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reitzesmits.nl\/en\/wp-json\/wp\/v2\/tags?post=1142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u2013 Duo 2: in the first passage without barlines on page 8, the key signatures are placed irregularly.
\nBut the left hand should always play on the black keys, even when there is no sharp before the note.
\n\u2013 Duo 6, page 17: the indications for I and II, +reed and +3\u2032 respectively, must be exchanged.
\nThe voice crossing in measure 76 remains audible in sound too.
\n\u2013 Duo 7, page 23: before the first note in the right hand a sharp is missing, so it should be an f# in the entire bar 18.
\nFor clarity, there should be a natural sign for the c\u201d\u2019 in measure 19, cf. measure 18.<\/p>","protected":false},"excerpt":{"rendered":"